- (Literal) A situation whereby police officers have either been prevented from doing their job properly under any circumstances. These may include anarchy or cowardice.
- (Idiomatic) A term used to describe poems written with extremely high effort and thought but disguised as low-effort so as to suit the Asian Values of humbleness, honesty, and horseshit.
- (Idiomatic) To avoid performing something at all or to a requisite standard, for instance, writing shitposts to fulfill all 30 days of SingPoWriMo. Alternatively, to go back on one’s commitments. See definition 1. Also an adjective. (“a copout poem”)
- (Idiomatic) Any excuse used to avoid performing said tasks or duty. See Chao Keng. Examples may include stress over finals, stress over the finality of life, et al. Also a verb (“to copout”)
- (Idiomatic) A person who cops out. (“what a copout”)
- (Colloquial) A common mispronunciation of kapoot.
Examples of common usage:
it is the waking that is the hardest.
the first step in sleep deprivation:
you learn you miss dreaming
of holes, the spaces between lines,
the gap between the train and platform.
you dream of ways in which to die,
how the train brushes against your feet,
the space just big enough for your thigh.
there are other gaps you remember:
misspelled gpas, an empty desk
in class. visions of your friends,
long gone and passed, moss-grown,
flowers atop: a forlorn crown.
their faces eating the light.
in chasing the gap you lose yourself
in the coming and going, in finding
the joy of godless verse, the sound
when you spread her legs, or some
other sex line that marks you adult,
because penetration is the space
between childhood and modernity,
the answer to your wet dreams.
you tell that to your mother, spit
in her mouth, regurgitate the soap.
still dripping from last night, your
eyes clouded with the ocean.
before you leave, look in her eyes.
they are the ending credits of a film.
they are the same sea, the same salt.
you, the end of pages in a book.
you, the closed off dog-ear.
because you never hear of
hungry children, you
eat yourself whole, give in
to desire, the single moment
when your teeth eat into your lips
when your mouth burrows into your tongue.
this dream that eats away at your tail.
all this, to uncover
the space which your voice hides in:
the gap behind the kitchen cabinet.
that unknown place it goes
when you can’t find it, unwilling
to be coaxed out, like the last drop of wine
like a petulant child, forever, forever.
Acrostics. Academia. Balancing work, life and a healthy sleep schedule. Breaking up in your head with people you don’t even go out with. Confessing to your first love at the wrong place and time. Denial when you don’t mean it. Even if you do mean it, does that really work? English as second tongue. Editing. First strikes when you don’t have the time to think them through. Fuck as a vulgarity, not a noun. Falling into love at first sight – how cliché. Generosity just because people ask. Honesty when no-one does. I as a singular noun. I as a concept. Just joking, fake philosophy and pseudo-spiritualism. Jamming words together to sieve out poetry. Kafkaesque as a word. Keto. Listing out words and calling it poetry. Laying out scenes and calling it love. Lying about the writing process. Love as an independent variable. Misreading the Tao Te Ching as Dao De Jing. Making an audience hum while sober. Memory loss. Monkdom. Never making the first move. Or just being content with letting things slip. Or just being content with repeating yourself. Orientialism as a concept in the 21st century. Pretending to be woke when you’re still asleep. Puns that no-one appreciates. Puns disguised as poetry. Quokkas. Quips about things no-one cares about. Quantum theory. Running to lose weight. Rote memorisation. Rhymes that don’t rhyme. Lines that ruin your form. Short-term memory loss. Slaying your daddy unironically. Slaying as a concept at all. To be honest about things that you’ve never thought about. Thinking about things that you’ve never thought about. Thinking about people 24/7 that you’ve just met. Thinking. Underestimating when love can strike. Overestimating when it does. Forgetting to keep to form again. Uniqueness as a selling point. ‘Valen’-themed lines because really, how many times do those work? Writing poems to people who will not read them. X starting any word other than xenagogue. You spilling your personal life into groups of 5000 strangers, give or take. Zen Buddhism, but as an aesthetic. Zealotry, but only for self-destruction. Endings without satisfactory closure
spwm day 16
In this dream, you shed your skin
and cast away your leather wings;
from your pockets, spill these things –
Warfarin, for battles within.
In another, I hold your chin
and nothing else. Come, unspin
this long dream of safety pins
and other stories, wherein
the might of the might-have-been
becomes the force that underpins
the breath of your life worn thin.
In my dream: we swap our skins
you and I, identical twins,
draped in the light of Kuan Yin,
lost in the mist of has-beens
and has-nots, the lines blurring
like your life – now, a tailspin.
I memorise your next-of-kin,
my final act of discipline.
In this dream, we both begin
realizing: that being
alive’s the holiest sin –
prisoners, of human skin.
Spwm day 14
On the backstreet home, watch out for black
cats stalking your footsteps. Don’t step in
puddles with your high-heeled horseshoes:
the clack draws all sorts of bad folk. Knock
on wooden doors along the way – let them
know you are there, once, or twice:
unexpected deaths come in threes.
Ring every bell – let chimes cover you,
light the path home, keep watch.
Needless to say, avoid the ladders.
They take you nowhere useful enough,
except upwards. Pennies on roads
are only shiny traps – they are not worth it.
Likewise, check both ways when you cross
your fingers, or your reflection in street
windows. Shatter them if necessary.
Take a photo if you must, to save your soul.
Let the itch of your palm be a prayer that you’re home.
Salt the door. Let relief open like an umbrella.
spwm day 13
contemporary votary youth. yell, yes, yourself yearns
inexpert, co-existing, bemixed jukebox. next, proxy
‘howdy’ – who, which fellow, why? walleyed, worship
quivers: reserve leaves, salvation arrives volubly,
requests. puzzled, you jumble, quake, jumped-gun.
mother, tortoised beneath table, watches daughter’s social,
reminisces pregnancies. warns – his compass veers
otherwise. overprotective, mother stereotypes:
quiff-wearing queer, queasy antiquation, quite passe.
palpably, pulse presses pata-pata, peekaboos
into down-linen intercourse, lip-top soon drowsed – or
not. never. necking? non-zero chance – nonetheless
mother’s wisdom must remain germane. men times
love equals feelings leaking, trickle following slit. lies:
look. seek quickened love-struck awkward skin-on-skin
jam. conjugate. join. enjoy – rejoice, jambe-de-air.
in totality, girl finds rapidity, spins in pirouette,
that, huzzah, her who-knows-which left-behind
girlhood goes exploring, willingly digs aground
feeling, finally finds freedom from family.
ena – tie her, leave her behind.
deny mothermade denigrations:
cha-cha, cowboy, compass. come,
be bound. bare brazen breast. but
absolve all fear. fall – learn affection. dance.
spwm day 11
every word in each line shares a common letter.